“Barucaba” as an Emblem for Jewishness in Early Italian Art Music
The expression “barukh ha-ba,” with its various continuations, has a fixed place in Jewish prayer and everyday Hebrew. It will be argued that the frequency of its usage tends to mark it, for non-Jewish hearers, as a typological label for Judaism. The operability of this proposition can be tested upo...
| Main Author: | |
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| Format: | Electronic Article |
| Language: | English |
| Check availability: | HBZ Gateway |
| Journals Online & Print: | Drawer...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
Penn Press
2008
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| In: |
The Jewish quarterly review
Year: 2008, Volume: 98, Issue: 3, Pages: 328-354 |
| Further subjects: | B
Orazio Vecchi
B pseudo- Hebrew B madrigal comedy B Jews as aliens B Ghirardo da Panico B ebraica (pl. ebraiche) B benedictions vs. salutations B barucaba B Italian art music (16th-17th centuries) B barukh in blessings B labels for Jewishness B L’Amfiparnaso (1597) B Jewishness as a poetico-musical construct B linguistic Hebraisms B Adriano Banchieri B barukh ha-ba B Barca di Venezia per Padova (1605) B Jewish prayer (liturgy) B Circumcision B Psalm 118 (as part of Hallel) |
| Online Access: |
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