Ora’s Tale: The Narrative Ambitions of David Grossman’s To the End of the Land
This essay analyzes the narrative act at the center of Grossman’s novel, especially the performance of Ora as a virtuoso monologist. Eight dimensions of the narrative act in the novel are discussed: the order of the events and their telling; the aspiration to totality of description; the primacy of...
| Main Author: | |
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| Format: | Electronic Article |
| Language: | English |
| Check availability: | HBZ Gateway |
| Journals Online & Print: | Drawer...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
The National Association of Professors of Hebrew
2013
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| In: |
Hebrew studies
Year: 2013, Volume: 54, Issue: 1, Pages: 335-344 |
| Online Access: |
Volltext (JSTOR) Volltext (lizenzpflichtig) Volltext (lizenzpflichtig) |
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| 520 | |a This essay analyzes the narrative act at the center of Grossman’s novel, especially the performance of Ora as a virtuoso monologist. Eight dimensions of the narrative act in the novel are discussed: the order of the events and their telling; the aspiration to totality of description; the primacy of the spoken voice in relation to the history of the monologue; the capacity of narrating to bring healing to the speaking subject and its recipient; the investment of narrative with magical, protective powers; narrating as moral resistance to the “situation” in Israel; differential gender roles in the act of narration; and narration as the retrieval of lost family. | ||
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