Orly Castel-Bloom and Yoel Hoffmann: On Israeli Postmodern Prose Fiction
Postmodern Israeli prose fiction is a cluster of rather different novels and short stories, representing different poetics and ideological stances. Yet these different "postmodernisms" have something in common: the tendency to cling to some kind of narrative and meaning. The two writers di...
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| Format: | Electronic Article |
| Language: | English |
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| Published: |
The National Association of Professors of Hebrew
2009
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| In: |
Hebrew studies
Year: 2009, Volume: 50, Issue: 1, Pages: 215-227 |
| Online Access: |
Volltext (JSTOR) Volltext (lizenzpflichtig) Volltext (lizenzpflichtig) |
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| 520 | |a Postmodern Israeli prose fiction is a cluster of rather different novels and short stories, representing different poetics and ideological stances. Yet these different "postmodernisms" have something in common: the tendency to cling to some kind of narrative and meaning. The two writers discussed in this paper, Orly Castel-Bloom and Yoel Hoffmann, represent the "disintegrated" or "unraveled" prose fiction, characteristic of postmodernist writing. A few examples of these writers' fiction will illustrate that Israeli postmodernism, even when it deconstructs the collective narrative or the meta-narrative, doesn't actually give up the attempt, desperate as it may be, to cling onto the narrative and the promise of a meaning embodied in it. | ||
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