Staging Sexuality, Reading Wallach's Poetry
This article offers a reading of "Tefillin" as a staged performance of a theatrical piece. It reveals that staging sexuality is Wallach's political, feminist strategy, one that produces and overcomes the reader's resistance to the poem. On this stage, "Tefillin" unbinds...
Auteur principal: | |
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Type de support: | Électronique Article |
Langue: | Anglais |
Vérifier la disponibilité: | HBZ Gateway |
Journals Online & Print: | |
Interlibrary Loan: | Interlibrary Loan for the Fachinformationsdienste (Specialized Information Services in Germany) |
Publié: |
2002
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Dans: |
Hebrew studies
Année: 2002, Volume: 43, Numéro: 1, Pages: 87-117 |
Accès en ligne: |
Volltext (JSTOR) Volltext (lizenzpflichtig) Volltext (lizenzpflichtig) |
Résumé: | This article offers a reading of "Tefillin" as a staged performance of a theatrical piece. It reveals that staging sexuality is Wallach's political, feminist strategy, one that produces and overcomes the reader's resistance to the poem. On this stage, "Tefillin" unbinds a new poetic space, one that potentially transforms the Hebrew cultural and literary scene. |
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ISSN: | 2158-1681 |
Contient: | Enthalten in: Hebrew studies
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Persistent identifiers: | DOI: 10.1353/hbr.2002.0009 |