The Medieval Allegorization of the ‘Aeneid’: MS Cambridge, Peterhouse 158
The development of sophisticated and complex techniques of literary interpretation was among the greatest achievements of those twelfth-century thinkers who have come loosely to be called ‘Chartrian.’ Chartrian literary allegoresis grew from a reawakened interest in the natural sciences, and a spiri...
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| Format: | Electronic Article |
| Language: | English |
| Check availability: | HBZ Gateway |
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
Cambridge University Press
1985
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| In: |
Traditio
Year: 1985, Volume: 41, Pages: 181-237 |
| Online Access: |
Volltext (JSTOR) Volltext (lizenzpflichtig) Volltext (lizenzpflichtig) |
| Summary: | The development of sophisticated and complex techniques of literary interpretation was among the greatest achievements of those twelfth-century thinkers who have come loosely to be called ‘Chartrian.’ Chartrian literary allegoresis grew from a reawakened interest in the natural sciences, and a spiritual optimism about man's rational capacity to understand the Creator through his creation. These literary commentators made a habit of encyclopedic digression, using single words or brief passages from their texts to introduce whole chunks of allegorically or literally relevant information from the trivium, the quadrivium, mythology, and natural philosophy. They thus sought to find in their books the whole world of knowledge and the course of spiritual development, even as they had learned to see their world itself as a book. Intimately connected to this was the idea of the arts as a discipline for regaining lost knowledge of divine truths, and education as part of a symbolic spiritual pilgrimage. |
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| ISSN: | 2166-5508 |
| Contains: | Enthalten in: Traditio
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| Persistent identifiers: | DOI: 10.1017/S0362152900006899 |