‘Inferno’ XXX: Dante's Counterfeit Adam
One of the last shades whom the pilgrim Dante encounters in Hell is the pitifully nostalgic and vengeful Master Adam. By his own admission, the lute-shaped grotesque has been burnt at the stake for counterfeiting the gold florin and rained into the tenth bolgia along with the swinish impersonators,...
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| Format: | Electronic Article |
| Language: | German |
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| Published: |
Cambridge University Press
1978
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| In: |
Traditio
Year: 1978, Volume: 34, Pages: 427-435 |
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| 520 | |a One of the last shades whom the pilgrim Dante encounters in Hell is the pitifully nostalgic and vengeful Master Adam. By his own admission, the lute-shaped grotesque has been burnt at the stake for counterfeiting the gold florin and rained into the tenth bolgia along with the swinish impersonators, the reeking liars, and the leprous alchemists stacked against each other like pans. Although various historical models for the now immobile, water-logged sinner have been suggested, he is most commonly identified as the shade of Adam of Brescia, a false coiner employed by the Counts of Romena to debase the monetary standard of the Florentines. This deduction corresponds well with the evidence of the text, for Master Adam both names the wretched souls for whose sake he has left his body burnt and locates the place where he sinned amid the cool green hills of the Casentino. Yet Dante's portrayal of the hydroptic contains elements which seem to allude to a context larger than that defined by the historical Adam of Brescia whose counterfeiting of coins led him to the stake. For as probable as the historical and geographical identification may be, it does not fully account for the counterfeiter's metamorphosis into a water-filled lute, for his nostalgic fixation on his pleasant homeland, or even for his eternal confinement with the deformed shades of the falsifiers of the body, the word, and the goods of nature. When these and other details of the passage are studied against the bodies of extra-literary knowledge available to Dante, however, they reveal that the Master Adam encountered by the pilgrim is not only the shade of an historical counterfeiter, but also a type of the unredeemed and unredeemable Old Adam. | ||
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