Predigt als Kunst und Dramaturgische Homiletik. Bedenken aus systematisch-theologischer Perspektive
The aesthetical paradigm in practical theology leads to homiletics which understands preach as art. According to the dramaturgic homiletics preacher ought to develop »moves« comparable with movies. This aesthetical turn in homiletics ignores the truth claims of Christian faith. This essay reveals ho...
| Main Author: | |
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| Format: | Electronic Article |
| Language: | German |
| Check availability: | HBZ Gateway |
| Journals Online & Print: | Drawer...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
Evangelische Verlagsanstalt
2020
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| In: |
Theologische Literaturzeitung
Year: 2020, Volume: 145, Issue: 1, Pages: 17-34 |
| Online Access: |
Volltext (lizenzpflichtig) |
| Parallel Edition: | Non-electronic
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| 520 | |a The aesthetical paradigm in practical theology leads to homiletics which understands preach as art. According to the dramaturgic homiletics preacher ought to develop »moves« comparable with movies. This aesthetical turn in homiletics ignores the truth claims of Christian faith. This essay reveals how preach as dramaturgic construction underestimates the theological responsibility of the preacher and the theological judgement of the listener. Both changes are based on an ontological reduction in understanding Devine reality as a pure event. | ||
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