Two Visual Languages at Petra: Aniconic and Representational Sculpture of the Great Temple
At the Petra Great Temple a number of figural relief panels depicting Classical deities were recovered beside two aniconic betyls. These two sculptural types reflect an important dichotomy in Nabataean art-the adoption by the Nabataeans of Hellenistic-Roman forms of representation together with the...
Main Author: | |
---|---|
Format: | Electronic Article |
Language: | English |
Check availability: | HBZ Gateway |
Journals Online & Print: | |
Fernleihe: | Fernleihe für die Fachinformationsdienste |
Published: |
University of Chicago Press
2002
|
In: |
Near Eastern archaeology
Year: 2002, Volume: 65, Issue: 4, Pages: 255-258 |
Online Access: |
Volltext (JSTOR) Volltext (lizenzpflichtig) |
Parallel Edition: | Non-electronic
|
Summary: | At the Petra Great Temple a number of figural relief panels depicting Classical deities were recovered beside two aniconic betyls. These two sculptural types reflect an important dichotomy in Nabataean art-the adoption by the Nabataeans of Hellenistic-Roman forms of representation together with the persistence of an Arabian/Semitic tradition of depicting deities aniconically. How does the author account for these two, seemingly contradictory, forms of divine image? Read on! |
---|---|
ISSN: | 2325-5404 |
Contains: | Enthalten in: Near Eastern archaeology
|
Persistent identifiers: | DOI: 10.2307/3210855 |