The interface between writing and art: the seals of Tepe Gawra
The article deals with the impact of writing on art during the Urban Period in the Near East. My analysis focuses on the compositions – the way images are organized – on the seals of Tepe Gawra, 5500-2000 BC. I note that : A) the preliterate seals feature figures head-to-tail or pell-mell that show...
| Auteur principal: | |
|---|---|
| Type de support: | Électronique Article |
| Langue: | Anglais |
| Vérifier la disponibilité: | HBZ Gateway |
| Journals Online & Print: | En cours de chargement...
|
| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Publié: |
IFAPO
2006
|
| Dans: |
Syria
Année: 2006, Volume: 83, Pages: 183-193 |
| Accès en ligne: |
Volltext (JSTOR) Volltext (lizenzpflichtig) Volltext (lizenzpflichtig) |
| Édition parallèle: | Non-électronique
|
| Résumé: | The article deals with the impact of writing on art during the Urban Period in the Near East. My analysis focuses on the compositions – the way images are organized – on the seals of Tepe Gawra, 5500-2000 BC. I note that : A) the preliterate seals feature figures head-to-tail or pell-mell that show no interaction ; B) the proto-literate glyptic borrows the linear composition of writing to link the figures of simple narratives ; C) in the historic period, glyptic emulates the strategies of writing, i.e. syntax and determinatives, to create complex narratives. I credit writing for the conceptual change from repetitious designs, simply able to evoke an idea, to complex narrative scenes ; and from the preliterate all over patterns apprehended globally, to the literate compositions “read” analytically. |
|---|---|
| ISSN: | 2076-8435 |
| Contient: | Enthalten in: Syria
|
| Persistent identifiers: | DOI: 10.4000/syria.237 |