Validating Demons: Recasting Rāvaṇa as a Leader of the Oppressed in Mani Ratnam’s Film Version of the Rāmāyaṇa
This article focuses on Mani Ratnam’s adaptation of the Rāmāyaṇa and analyzes the ways in which the film rewrites the epic. The movie criticizes the traditional notion of a sharp opposition between the hero and the villain: Rāma is questioned and Rāvaṇa validated. A contemporary setting is used to c...
| Publié dans: | Journal for religion, film and media |
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| Auteur principal: | |
| Type de support: | Électronique Article |
| Langue: | Anglais |
| Vérifier la disponibilité: | HBZ Gateway |
| Journals Online & Print: | En cours de chargement...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Publié: |
Institut f. Fundamentaltheologie
2021
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| Dans: |
Journal for religion, film and media
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| Sujets non-standardisés: | B
Raavanan
B Raavan B Mani Ratnam B Ramayana adaptation |
| Accès en ligne: |
Volltext (kostenfrei) Volltext (kostenfrei) |
| Résumé: | This article focuses on Mani Ratnam’s adaptation of the Rāmāyaṇa and analyzes the ways in which the film rewrites the epic. The movie criticizes the traditional notion of a sharp opposition between the hero and the villain: Rāma is questioned and Rāvaṇa validated. A contemporary setting is used to comment on ongoing conflicts between the police and oppressed communities. The struggle in remote and poor areas encourages the celebration of the outlaw in the form of a present-day Rāvaṇa. Gender and sexuality also play an important role in the transformation of the demonic "other" into a more sympathetic character. The vilification and resistance to the demonization of Rāvaṇa is part of a longer history in India’s literary culture which is explored and contrasted with the movie in this contribution. |
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| ISSN: | 2617-3697 |
| Contient: | Enthalten in: Journal for religion, film and media
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| Persistent identifiers: | DOI: 10.25364/05.7:2021.2.3 |