El Calvario de la Redención de Vicent Macip en el contexto valenciano de las Vitae Christi medievales
Vicent macip's redemptioncalvary in the valencian context of medieval Vitae Christi: This paper consists in an iconographic and iconological approach to Vicent Macip's Redemption Calvary, whose visual discourse explains the redeeming death of Christ, the superiority of His sacrifice over l...
Main Author: | |
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Format: | Electronic Article |
Language: | Spanish |
Check availability: | HBZ Gateway |
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Fernleihe: | Fernleihe für die Fachinformationsdienste |
Published: |
[publisher not identified]
2021
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In: |
Hispania sacra
Year: 2021, Volume: 73, Issue: 148, Pages: 373-387 |
IxTheo Classification: | CE Christian art KAG Church history 1500-1648; Reformation; humanism; Renaissance NBF Christology NBK Soteriology |
Further subjects: | B
Gesture
B Francesc Eiximenis B descendit ad inferos B gestualidad B Vicent Macip B Vita Christi |
Online Access: |
Volltext (kostenfrei) Volltext (kostenfrei) |
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520 | |a Vicent macip's redemptioncalvary in the valencian context of medieval Vitae Christi: This paper consists in an iconographic and iconological approach to Vicent Macip's Redemption Calvary, whose visual discourse explains the redeeming death of Christ, the superiority of His sacrifice over levitical worship and the universal Redemption value. At the same time, it provides the necessary elements for the contemplation of one of the articles of the Catholic Creed: descendit ad inferos (he descended into Hell). At the iconographic analysis, three aspects have been studied: landscape, relationships between characters and gestures. After comparing the painting subject with possible literary sources, we have been able to observe the parallelism between the painted theme in the paintinig and Francesc Eiximenis' Vida de Jesucrist narration. | ||
520 | |a Este trabajo consiste en una aproximación iconográfica e iconológica al cuadro titulado el Calvario de la Redención de Vicent Macip cuyo discurso visual explica la muerte redentora de Cristo, la superioridad de este sacrificio frente al culto levítico y el valor universal de la Redención y, al mismo tiempo, materializa los elementos necesarios para la contemplación de uno de los artículos del Credo: descendit ad inferos. En el análisis iconográfico, se han estudiado tres aspectos: el paisaje, las relaciones establecidas entre los personajes y la gestualidad. En la comparación del tema del cuadro con posibles fuentes literarias, se ha podido observar el paralelismo existente entre el tema pintado en el cuadro y su narración en la Vida de Jesucrist de Francesc Eiximenis. | ||
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