The eye that is language: a transatlantic view of Eudora Welty
The eye that is language: an introduction -- Technique as myth: the structure of The Golden Apples (1979) -- A blazing butterfly: the modernity of Eudora Welty (1987) -- A rereading of Eudora Welty's "Flowers for Marjorie" (2018) -- Of human, animal, and celestial bodies in Welty'...
| Κύριος συγγραφέας: | |
|---|---|
| Άλλοι συγγραφείς: | |
| Τύπος μέσου: | Εκτύπωση Βιβλίο |
| Γλώσσα: | Αγγλικά |
| Υπηρεσία παραγγελιών Subito: | Παραγγείλετε τώρα. |
| Έλεγχος διαθεσιμότητας: | HBZ Gateway |
| WorldCat: | WorldCat |
| Interlibrary Loan: | Interlibrary Loan for the Fachinformationsdienste (Specialized Information Services in Germany) |
| Έκδοση: |
Jackson
University Press of Mississippi
2022
|
| Στο/Στη: | Έτος: 2022 |
| Μονογραφική σειρά/Περιοδικό: | Critical perspectives on Eudora Welty
|
| Τυποποιημένες (ακολουθίες) λέξεων-κλειδιών: | B
Welty, Eudora 1909-2001
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| Άλλες λέξεις-κλειδιά: | B
Συλλογή δοκιμίων
B LITERARY CRITICISM / Women Authors B Mississippi Women authors Criticism and interpretation B Women authors, American Criticism and interpretation B LITERARY CRITICISM / 20th Century / Modern B Welty, Eudora (1909-2001) Criticism and interpretation |
| Παράλληλη έκδοση: | Ηλεκτρονική πηγή
Ηλεκτρονική πηγή |
MARC
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| 100 | 1 | |e VerfasserIn |0 (DE-588)1157335314 |0 (DE-627)1021188220 |0 (DE-576)502860200 |4 aut |a Pitavy-Souques, Danièle |d 1937-2019 | |
| 109 | |a Pitavy-Souques, Danièle 1937-2019 |a Pitavy, Danièle 1937-2019 |a Souques, Danièle P.- 1937-2019 | ||
| 245 | 1 | 4 | |a The eye that is language |b a transatlantic view of Eudora Welty |c Danièle Pitavy-Souques, edited with a preface by Pearl Amelia McHaney |
| 264 | 1 | |a Jackson |b University Press of Mississippi |c 2022 | |
| 300 | |a XIII, 171 Seiten | ||
| 336 | |a Text |b txt |2 rdacontent | ||
| 337 | |a ohne Hilfsmittel zu benutzen |b n |2 rdamedia | ||
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| 490 | 0 | |a Critical perspectives on Eudora Welty | |
| 500 | |a Includes bibliographical references and index | ||
| 500 | |a Hier auch später erschienene, unveränderte Nachdrucke | ||
| 520 | |a The eye that is language: an introduction -- Technique as myth: the structure of The Golden Apples (1979) -- A blazing butterfly: the modernity of Eudora Welty (1987) -- A rereading of Eudora Welty's "Flowers for Marjorie" (2018) -- Of human, animal, and celestial bodies in Welty's "Circe" (2005) -- The fictional eye: Eudora Welty's retranslation of the South (2000) -- Private and political thoughts in One Writer's Beginnings (2001) -- Eudora Welty and the Merlin Principle: aspects of story-telling in The Golden Apples---"The Whole World Knows" and "Sir Rabbit" (2009) -- "The inspired child of [her] times": Eudora Welty as a twentieth-century artist (2010) -- "Moments of truth": Eudora Welty's humanism (2014) -- Afterword / François Pitavy. | ||
| 520 | |a "Danièle Pitavy-Souques was a European powerhouse of Welty studies. In this collection of essays, Pitavy-Souques pours new light on Welty's view of the world and her international literary import, challenging previous readings of Welty's fiction, memoir, and photographs in illuminating ways. The nine essays collected here offer scholars, critics, and avid readers a new understanding and enjoyment of Welty's work. The volume explores beloved stories in Welty's masterpiece The Golden Apples, as well as "A Curtain of Green," "Flowers for Marjorie," "Old Mr. Marblehall," "A Still Moment," "Livvie," "Circe," "Kin," and The Optimist's Daughter, One Writer's Beginnings, and One Time, One Place. Essays include "Technique as Myth: The Structure of The Golden Apples" (1979), "A Blazing Butterfly: The Modernity of Eudora Welty" (1987), and others written between 2000 and 2018. Together, they reveal and explain Welty's brilliance for employing the particular to discover the universal. Pitavy-Souques, who briefly lived in and often revisited the South, met with Welty several times in her Jackson, Mississippi, home. Her readings draw on the visual arts, European theorists, and styles of modernism, postmodernism, surrealism, as well as the baroque and the gothic. The included essays reflect Pitavy-Souques's European education, her sophisticated understanding of intellectual theories and artistic movements abroad, and her passion for the literary achievement of women of genius. The Eye That Is Language: A Transatlantic View of Eudora Welty reveals the way in which Welty's narrative techniques broaden her work beyond southern myths and mysteries into a global perspective of humanity"-- | ||
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