Image and Chalcedonian Eucharistic doctrine: a re-evaluation of the Riha paten, its decoration and its historical context
The iconography of the Communion of the Apostles, a theme well established in Byzantine art after Iconoclasm, first appears in a securely dated context in the silver patens from Riha and Stuma. These silver plates were produced in Constantinople sometime between 575 and 578. The iconography with the...
Main Author: | |
---|---|
Format: | Electronic Article |
Language: | English |
Check availability: | HBZ Gateway |
Journals Online & Print: | |
Fernleihe: | Fernleihe für die Fachinformationsdienste |
Published: |
De Gruyter
2021
|
In: |
Byzantinische Zeitschrift
Year: 2021, Volume: 114, Issue: 3, Pages: 1117-1160 |
Online Access: |
Presumably Free Access Volltext (lizenzpflichtig) Volltext (lizenzpflichtig) |
MARC
LEADER | 00000caa a22000002 4500 | ||
---|---|---|---|
001 | 1789496799 | ||
003 | DE-627 | ||
005 | 20220706132516.0 | ||
007 | cr uuu---uuuuu | ||
008 | 220214s2021 xx |||||o 00| ||eng c | ||
024 | 7 | |a 10.1515/bz-2021-0057 |2 doi | |
035 | |a (DE-627)1789496799 | ||
035 | |a (DE-599)KXP1789496799 | ||
040 | |a DE-627 |b ger |c DE-627 |e rda | ||
041 | |a eng | ||
084 | |a 1 |a 0 |2 ssgn | ||
100 | 1 | |e VerfasserIn |0 (DE-588)1024514463 |0 (DE-627)72025986X |0 (DE-576)353123625 |4 aut |a Fourlas, Benjamin |d 1976- | |
109 | |a Fourlas, Benjamin 1976- | ||
245 | 1 | 0 | |a Image and Chalcedonian Eucharistic doctrine |b a re-evaluation of the Riha paten, its decoration and its historical context |
264 | 1 | |c 2021 | |
336 | |a Text |b txt |2 rdacontent | ||
337 | |a Computermedien |b c |2 rdamedia | ||
338 | |a Online-Ressource |b cr |2 rdacarrier | ||
520 | |a The iconography of the Communion of the Apostles, a theme well established in Byzantine art after Iconoclasm, first appears in a securely dated context in the silver patens from Riha and Stuma. These silver plates were produced in Constantinople sometime between 575 and 578. The iconography with the twofold depiction of Christ is usually explained as a reflection of the liturgical practice of the Eucharist, namely, as a reflection of the two actors in the Eucharistic rite, the priest and a deacon distributing bread and wine. I argue instead that during the early Byzantine period the twofold depiction of Christ is an expression of the two natures of Christ directed against the Miaphysites. I propose that the exceptional appearance of the scene in the two early Byzantine silver patens from church treasures from northern Syria is likely to be explained by its Christological significance with regard to Chalcedonian Eucharistic doctrine during the persecution of the Miaphysites in the 570s. | ||
601 | |a Eucharistie | ||
601 | |a doctrina | ||
773 | 0 | 8 | |i Enthalten in |t Byzantinische Zeitschrift |d Berlin : De Gruyter, 1892 |g 114(2021), 3, Seite 1117-1160 |h Online-Ressource |w (DE-627)568921224 |w (DE-600)2430676-9 |w (DE-576)303577770 |x 1868-9027 |7 nnns |
773 | 1 | 8 | |g volume:114 |g year:2021 |g number:3 |g pages:1117-1160 |
856 | |u https://www.degruyter.com/document/doi/10.1515/bz-2021-0057/pdf |x unpaywall |z Vermutlich kostenfreier Zugang |h publisher [open (via page says license)] | ||
856 | 4 | 0 | |u https://doi.org/10.1515/bz-2021-0057 |x Resolving-System |z lizenzpflichtig |3 Volltext |
856 | 4 | 0 | |u https://www.degruyter.com/document/doi/10.1515/bz-2021-0057/html |x Verlag |z lizenzpflichtig |3 Volltext |
951 | |a AR | ||
ELC | |a 1 | ||
ITA | |a 1 |t 1 | ||
LOK | |0 000 xxxxxcx a22 zn 4500 | ||
LOK | |0 001 4056367213 | ||
LOK | |0 003 DE-627 | ||
LOK | |0 004 1789496799 | ||
LOK | |0 005 20220214085753 | ||
LOK | |0 008 220214||||||||||||||||ger||||||| | ||
LOK | |0 040 |a DE-Tue135 |c DE-627 |d DE-Tue135 | ||
LOK | |0 092 |o n | ||
LOK | |0 852 |a DE-Tue135 | ||
LOK | |0 852 1 |9 00 | ||
LOK | |0 935 |a ixzs |a ixzo | ||
OAS | |a 1 | ||
ORI | |a SA-MARC-ixtheoa001.raw | ||
REL | |a 1 | ||
SUB | |a REL |