Sakralumas jo techninio reprodukuojamumo epochoje = Sacrum in the Age of its Mechanical Reproduction
In his essay "The Work of Art in the Age of Mechanical Reproduction" Walter Benjamin discusses a loss of the aura through the rise of photography and cinema. The notion of aura for Benjamin represents the originality and authenticity of a work of art that has not been reproduced. But at th...
| Outros títulos: | Sacrum in the Age of its Mechanical Reproduction |
|---|---|
| Autor principal: | |
| Tipo de documento: | Recurso Electrónico Artigo |
| Idioma: | Lituano |
| Verificar disponibilidade: | HBZ Gateway |
| Interlibrary Loan: | Interlibrary Loan for the Fachinformationsdienste (Specialized Information Services in Germany) |
| Publicado em: |
2010
|
| Em: |
Religija ir kultūra
Ano: 2010, Volume: 7, Número: 1/2, Páginas: 83-90 |
| Outras palavras-chave: | B
desakralizacija
B medijos B Media B Walter Benjamin B Walteris Benjaminas B desacralisation |
| Acesso em linha: |
Volltext (kostenfrei) Volltext (kostenfrei) |
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| 520 | |a In his essay "The Work of Art in the Age of Mechanical Reproduction" Walter Benjamin discusses a loss of the aura through the rise of photography and cinema. The notion of aura for Benjamin represents the originality and authenticity of a work of art that has not been reproduced. But at the same time it represents connection of the realm of art to the experience of the sacrum. The article deals with the correlation between the loss of aura and the desacralisation of the contemporary world. | ||
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