Überlegungen zu Form und Gattung in Hieronymus' Briefen
I propose to approach a selection of Jerome's Letters with the theory of generic modes as established by Alastair Fowler and Klaus W. Hempfer, and with the concept of generic enrichment developed by Stephen J. Harrison. Using these concepts the epistolary genre, which is known for its open natu...
| Main Author: | |
|---|---|
| Format: | Electronic Article |
| Language: | German |
| Check availability: | HBZ Gateway |
| Journals Online & Print: | Drawer...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
De Gruyter
2021
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| In: |
Zeitschrift für antikes Christentum
Year: 2021, Volume: 25, Issue: 2, Pages: 250-268 |
| Standardized Subjects / Keyword chains: | B
Hieronymus, Sophronius Eusebius 345-420
/ Letter
/ Forme
/ Kind
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| IxTheo Classification: | CD Christianity and Culture KAB Church history 30-500; early Christianity KBL Near East and North Africa |
| Further subjects: | B
Hymn
B Letters B Fashion B Correspondence B Generic enrichment B Satire B Literary Theory B Genre B Jerome |
| Online Access: |
Volltext (lizenzpflichtig) Volltext (lizenzpflichtig) |
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| 520 | |a I propose to approach a selection of Jerome's Letters with the theory of generic modes as established by Alastair Fowler and Klaus W. Hempfer, and with the concept of generic enrichment developed by Stephen J. Harrison. Using these concepts the epistolary genre, which is known for its open nature and diverse forms, can be approached from a shifted aesthetical perspective. My analysis focuses on two exemplary letters. In the first of these two letters, Jerome asks a friend to join him in his ascetic lifestyle in the desert (Hieronymus, Epistula 14). To illustrate the progress of his arguments Jerome employs traditional nautical metaphors and develops a literary celeuma. He does this by turning it into a model for the letter's form and by extending the epistolary genre through a hymn-like mode. Thus, the author christianises the celeuma and turns it into a hymn. In the second letter, Jerome asks a Christian widow to leave Rome and to join him in Bethlehem (Hieronymus, Epistula 46). The author integrates a satirical mode in some passages that allude to the pagan and biblical traditions of satire. He therefore turns his satirical description into an argument supporting his purpose. Both the hymn-like elements and the satirical passages do not have the complete outer form of the according genres but do rather correspond to the concept of modes. The epistolary genre is therefore extended but not replaced by these modes and gains additional meaning through their integration. | ||
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