Tenue est mendacium: rethinking fakes and authorship in classical, late antique, & early Christian works
Many new and fruitful avenues of investigation open up when scholars consider forgery as a creative act rather than a crime. We invited authors to contribute work without imposing any restrictions beyond a willingness to consider new approaches to the subject of ancient fakes, forgeries and question...
Altri autori: | ; |
---|---|
Tipo di documento: | Stampa Libro |
Lingua: | Inglese |
Servizio "Subito": | Ordinare ora. |
Verificare la disponibilità: | HBZ Gateway |
WorldCat: | WorldCat |
Fernleihe: | Fernleihe für die Fachinformationsdienste |
Pubblicazione: |
Groningen
Barkhuis
2021
|
In: | Anno: 2021 |
Recensioni: | [Rezension von: Tenue est mendacium : rethinking fakes and authorship in classical, late antique, & early Christian works] (2023) (Gray, Patrick, 1970 -)
|
(sequenze di) soggetti normati: | B
Antichità classica
/ Falso
/ Autore
|
Altre parole chiave: | B
Raccolta di saggi
|
Accesso online: |
Indice |
Edizione parallela: | Elettronico
Elettronico |
MARC
LEADER | 00000cam a2200000 4500 | ||
---|---|---|---|
001 | 1787067785 | ||
003 | DE-627 | ||
005 | 20231116105348.0 | ||
007 | tu | ||
008 | 220125s2021 ne ||||| 00| ||eng c | ||
020 | |a 9789493194366 |c HBK : EUR 112,27 |9 978-94-93194-36-6 | ||
020 | |a 9493194361 |9 94-93194-36-1 | ||
035 | |a (DE-627)1787067785 | ||
035 | |a (DE-599)KXP1787067785 | ||
035 | |a (OCoLC)1317697561 | ||
040 | |a DE-627 |b ger |c DE-627 |e rda | ||
041 | |a eng | ||
044 | |c XA-NL | ||
050 | 0 | |a DF | |
082 | 0 | |a 938 | |
084 | |a 1 |2 ssgn | ||
245 | 1 | 0 | |a Tenue est mendacium |b rethinking fakes and authorship in classical, late antique, & early Christian works |c edited by Klaus Lennartz and Javier Martinez |
264 | 1 | |a Groningen |b Barkhuis |c 2021 | |
300 | |a IX, 357 Seiten |b Illustrationen | ||
336 | |a Text |b txt |2 rdacontent | ||
337 | |a ohne Hilfsmittel zu benutzen |b n |2 rdamedia | ||
338 | |a Band |b nc |2 rdacarrier | ||
520 | |a Many new and fruitful avenues of investigation open up when scholars consider forgery as a creative act rather than a crime. We invited authors to contribute work without imposing any restrictions beyond a willingness to consider new approaches to the subject of ancient fakes, forgeries and questions of authenticity. The result is this volume, in which our aim is to display some of the many possibilities available to scholarship.00The exposure of fraud and the pursuit of truth may still be valid scholarly goals, but they implicitly demand that we confront the status of any text as a focal point for matters of belief and conviction. Recent approaches to forgery have begun to ask new questions, some intended purely for the sake of debate: Ought we to consider any author to have some inherent authenticity that precludes the possibility of a forger's successful parody? If every fake text has a real context, what can be learned about the cultural circumstances which give rise to forgeries? If every real text can potentially engender a parallel history of fakes, what can this alternative narrative teach us? What epistemological prejudices can lead us to swear a fake is genuine, or dismiss the real thing as inauthentic?00Following 'Splendide Mendax' and 'Animo Decipiendi?', this is the latest installment of an ongoing inquiry, conducted by scholars in numerous countries, into how the ancient world - its literature and culture, its history and art - appears when viewed through the lens of fakes and forgeries, sincerities and authenticities, genuine signatures and pseudepigrapha. How does scholarship tell the truth if evidence doesn't? But fabula docet: The falsum does not simply make the great, annoying stone before the door of the truth (otherwise this here would really be a "council of antiquarians and paleographers"). The falsum makes a delicate, fine tissue | ||
655 | 7 | |a Aufsatzsammlung |0 (DE-588)4143413-4 |0 (DE-627)105605727 |0 (DE-576)209726091 |2 gnd-content | |
689 | 0 | 0 | |d s |0 (DE-588)4068754-5 |0 (DE-627)106105086 |0 (DE-576)209174544 |2 gnd |a Antike |
689 | 0 | 1 | |d s |0 (DE-588)4016247-3 |0 (DE-627)10428028X |0 (DE-576)208915311 |2 gnd |a Fälschung |
689 | 0 | 2 | |d s |0 (DE-588)4003982-1 |0 (DE-627)104814543 |0 (DE-576)208853383 |2 gnd |a Autor |
689 | 0 | |5 (DE-627) | |
700 | 1 | |e HerausgeberIn |0 (DE-588)1024799611 |0 (DE-627)720570697 |0 (DE-576)369523962 |4 edt |a Lennartz, Klaus |d 1963- | |
700 | 1 | |e HerausgeberIn |0 (DE-588)173045677 |0 (DE-627)674082052 |0 (DE-576)133898342 |4 edt |a Martínez García, Francisco Javier |d 1965- | |
776 | 0 | 8 | |i Erscheint auch als |n Online-Ausgabe |t Tenue est mendacium |d Havertown : Barkhuis Publishing, 2022 |h 1 Online-Ressource (369 p) |w (DE-627)1830931296 |z 9789493194502 |z 9493194507 |k Electronic |
776 | 0 | 8 | |i Erscheint auch als |n Online-Ausgabe |t Tenue est mendacium |d Havertown : Barkhuis Publishing, 2022 |h 1 online resource (369 pages) |w (DE-627)1801259712 |z 9789493194502 |k Electronic |
787 | 0 | 8 | |i Rezensiert in |a Gray, Patrick, 1970 - |t [Rezension von: Tenue est mendacium : rethinking fakes and authorship in classical, late antique, & early Christian works] |d 2023 |w (DE-627)1861108338 |
856 | 4 | 2 | |u https://swbplus.bsz-bw.de/bsz1787067785inh.htm |m V:DE-576 |m B:DE-16 |v 20220325193524 |3 Inhaltsverzeichnis |
935 | |a BIIN | ||
951 | |a BO | ||
ACO | |a 1 | ||
BIB | |a 1 | ||
ELC | |b 1 | ||
ITA | |a 1 | ||
LOK | |0 000 xxxxxcx a22 zn 4500 | ||
LOK | |0 001 4043339208 | ||
LOK | |0 003 DE-627 | ||
LOK | |0 004 1787067785 | ||
LOK | |0 005 20220217115824 | ||
LOK | |0 008 220125||||||||||||||||ger||||||| | ||
LOK | |0 040 |a DE-21-45 |c DE-627 |d DE-21-45 | ||
LOK | |0 541 |e 51472 | ||
LOK | |0 852 |a DE-21-45 | ||
LOK | |0 852 1 |c L 4755 |m p |9 00 | ||
LOK | |0 852 2 |b U14 |9 00 | ||
LOK | |0 935 |a i045 |a inte | ||
LOK | |0 938 |a 2202 | ||
LOK | |0 938 |k p | ||
LOK | |0 000 xxxxxcx a22 zn 4500 | ||
LOK | |0 001 4409401416 | ||
LOK | |0 003 DE-627 | ||
LOK | |0 004 1787067785 | ||
LOK | |0 005 20231116103455 | ||
LOK | |0 008 231116||||||||||||||||ger||||||| | ||
LOK | |0 040 |a DE-Tue135-1 |c DE-627 |d DE-Tue135-1 | ||
LOK | |0 852 |a DE-Tue135-1 | ||
LOK | |0 852 1 |m p |9 00 | ||
LOK | |0 935 |a inmo | ||
LOK | |0 938 |k p | ||
ORI | |a SA-MARC-ixtheoa001.raw | ||
REL | |a 1 | ||
STA | 0 | 0 | |a Author,Classical antiquity,Classical antiquity,Antiquity,Civilization, Greco-Roman,Civilization, Classical, in art,Civilization, Greco-Roman, in literature,Civilization, Ancient, in literature,Forgery,Counterfeit,Fake |
STB | 0 | 0 | |a Antiquité,Antiquité,Auteur,Faux,Falsification,Falsification |
STC | 0 | 0 | |a Antigüedad,Antigüedad,Autor,Falsificación |
STD | 0 | 0 | |a Antichità classica,Antichità classica,Autore,Falso |
STE | 0 | 0 | |a 作者,古典时代,古典时代,古典时期,古典时期,赝品,伪造品 |
STF | 0 | 0 | |a 作者,古典時代,古典時代,古典時期,古典時期,贋品,偽造品 |
STG | 0 | 0 | |a Antiguidade,Antiguidade,Autor,Falsificação |
STH | 0 | 0 | |a Автор,Античность (мотив),Античность,Подделка |
STI | 0 | 0 | |a Αρχαιότητα (μοτίβο),Αρχαιότητα,Πλαστογραφία,Πλαστογράφηση,Συγγραφέας |
SUB | |a BIB |a REL | ||
SYG | 0 | 0 | |a Klassisches Altertum , Verfälschung,Fälschungen , Verfasser,Autoren |
TIM | |a 099992000101_100005001231 |b Antike v800-500 |