Reading religion and spirituality in Jamaican reggae dancehall dance: spirit bodies moving
Introduction. Sanctification -- Warm up : Dancehall literature review -- Old time story : The convergence of African, neo-African and popular dance in Jamaica -- Come back again : Towards a definition of spirituality -- The Massive arrive : The gathering and meshing together of knowledge -- Party Ti...
Main Author: | |
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Format: | Print Book |
Language: | English |
Subito Delivery Service: | Order now. |
Check availability: | HBZ Gateway |
Fernleihe: | Fernleihe für die Fachinformationsdienste |
Published: |
London New York
Routledge, Taylor & Francis Group
2022
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In: | Year: 2022 |
Series/Journal: | Routledge advances in theatre and performance studies
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Further subjects: | B
Dance
Religious aspects
B Dancehall (Music) Religious aspects B Jamaica Religion B Jamaica Religious life and customs B Dancehall (Music) (Jamaica) B Dance (Jamaica) |
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245 | 1 | 0 | |a Reading religion and spirituality in Jamaican reggae dancehall dance |b spirit bodies moving |c H Patten |
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264 | 1 | |a London |a New York |b Routledge, Taylor & Francis Group |c 2022 | |
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490 | 0 | |a Routledge advances in theatre and performance studies | |
500 | |a Includes bibliographical references and index | ||
520 | |a Introduction. Sanctification -- Warm up : Dancehall literature review -- Old time story : The convergence of African, neo-African and popular dance in Jamaica -- Come back again : Towards a definition of spirituality -- The Massive arrive : The gathering and meshing together of knowledge -- Party Time - Early Vibe : Thick descriptions/analysis of dance in the dancehall space -- Party Hot - Man dem section: The corporeal dancing body creating 'dancehall spirituality' -- Party Hot Up - Female section : Dancehall spirituality rooted and routed through African/neo-African practices and worldviews -- Coupling Section : Male and female relationships -- Signing Off/revelation : Findings and meanings -- Conclusion. Dispersal - recommendations. | ||
520 | |a "This book explores the genealogy of Jamaican dancehall while questioning whether dancehall has a spiritual underscoring, foregrounding dance, and cultural expression. This study identifies the performance and performative (behavioural actions) that may be considered as representing spiritual ritual practices within the reggae/dancehall dance phenomenon. It does so by juxtaposing reggae/dancehall against Jamaican African/neo-African spiritual practices such as Jonkonnu masquerade, Revivalism and Kumina, alongside Christianity and post-modern holistic spiritual approaches. This book will be of great interest to students and scholars in performance studies, popular culture, music, theology, cultural studies, Jamaican/Caribbean culture, and dance specialists"-- | ||
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