Mark 15.16–32: The Crucifixion Narrative and the Roman Triumphal Procession
Robert Gundry, in a new major commentary on Mark, advances convincingly the thesis that the second Gospel is an extended apology for the cross. More specifically, Gundry argues that Mark portrays the passion of Christ as an aspect of his glory. This article intends to follow that thesis up an avenue...
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| Format: | Electronic Article |
| Language: | English |
| Check availability: | HBZ Gateway |
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| Published: |
Cambridge Univ. Press
1995
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| In: |
New Testament studies
Year: 1995, Volume: 41, Issue: 1, Pages: 1-18 |
| Online Access: |
Volltext (lizenzpflichtig) Volltext (lizenzpflichtig) |
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| 520 | |a Robert Gundry, in a new major commentary on Mark, advances convincingly the thesis that the second Gospel is an extended apology for the cross. More specifically, Gundry argues that Mark portrays the passion of Christ as an aspect of his glory. This article intends to follow that thesis up an avenue not travelled in Gundry's commentary – namely the Via Dolorosa, which, I will argue, replaces the Sacra Via of Rome and renders the passion a triumph in a quite literal sense. In other words, I will maintain that details of a particular segment of the crucifixion narrative (Mark 15.16–32) evoke a Roman triumphal procession, and that Mark designs this ‘anti-triumph’ to suggest that the seeming scandal of the cross is actually an exaltation of Christ. In this interpretation, many details of the crucifixion narrative that appear to be incidental are in fact important features in a parabolic drama which a late first-century Roman audience would be uniquely situated to comprehend. | ||
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