‘The Origin of the Work of Art’: Heidegger
Professor Max Charlesworth and I worked, at Deakin University, on a course, 'Understanding Art'. Max was interested in the Social History of Art and in art as: 'giving form to mere matter'. Here 'form' might be read as 'lucid', 'exemplary', 'bea...
| Autore principale: | |
|---|---|
| Tipo di documento: | Elettronico Articolo |
| Lingua: | Inglese |
| Verificare la disponibilità: | HBZ Gateway |
| Interlibrary Loan: | Interlibrary Loan for the Fachinformationsdienste (Specialized Information Services in Germany) |
| Pubblicazione: |
2012
|
| In: |
Sophia
Anno: 2012, Volume: 51, Fascicolo: 4, Pagine: 465-478 |
| Altre parole chiave: | B
Origin
B Heidegger B Equipment B Equipment* (second order) B Work of Art |
| Accesso online: |
Volltext (lizenzpflichtig) |
MARC
| LEADER | 00000naa a22000002c 4500 | ||
|---|---|---|---|
| 001 | 1785592297 | ||
| 003 | DE-627 | ||
| 005 | 20220112043403.0 | ||
| 007 | cr uuu---uuuuu | ||
| 008 | 220112s2012 xx |||||o 00| ||eng c | ||
| 024 | 7 | |a 10.1007/s11841-012-0306-4 |2 doi | |
| 035 | |a (DE-627)1785592297 | ||
| 035 | |a (DE-599)KXP1785592297 | ||
| 040 | |a DE-627 |b ger |c DE-627 |e rda | ||
| 041 | |a eng | ||
| 084 | |a 1 |2 ssgn | ||
| 100 | 1 | |a Hutchings, Patrick |e VerfasserIn |4 aut | |
| 245 | 1 | 0 | |a ‘The Origin of the Work of Art’: Heidegger |
| 264 | 1 | |c 2012 | |
| 336 | |a Text |b txt |2 rdacontent | ||
| 337 | |a Computermedien |b c |2 rdamedia | ||
| 338 | |a Online-Ressource |b cr |2 rdacarrier | ||
| 520 | |a Professor Max Charlesworth and I worked, at Deakin University, on a course, 'Understanding Art'. Max was interested in the Social History of Art and in art as: 'giving form to mere matter'. Here 'form' might be read as 'lucid', 'exemplary', 'beautiful' etcetera. I am an Aristotle Poetics 4 man '… imitating something with the utmost veracity in a picture', and an Aristotle and John Cage man: 'Art is the imitation of nature in the manner of operation. Or a net'. (Cage) (See Aristotle Meteorologica, 381b Book iv.) I was invited by the University of Melbourne to lecture on The Philosophy of Art, which I did for five delightful years. There I included the Heidegger essay, giving it as favourable a reading as I could. Unfortunately I have mislaid my marked-up copy and was forced to re-visit the essay, cold. My new reading lacks - in most respects - my former geniality. Kant's Aesthetic Ideas give us more than Heidegger does. So: I stuck with Aristotle, Cage and Kant. | ||
| 650 | 4 | |a Equipment* (second order) | |
| 650 | 4 | |a Equipment | |
| 650 | 4 | |a Origin | |
| 650 | 4 | |a Work of Art | |
| 650 | 4 | |a Heidegger | |
| 773 | 0 | 8 | |i Enthalten in |t Sophia |d Dordrecht : Springer Netherlands, 1962 |g 51(2012), 4, Seite 465-478 |h Online-Ressource |w (DE-627)543988392 |w (DE-600)2386792-9 |w (DE-576)271774215 |x 1873-930X |7 nnas |
| 773 | 1 | 8 | |g volume:51 |g year:2012 |g number:4 |g pages:465-478 |
| 856 | 4 | 0 | |u https://doi.org/10.1007/s11841-012-0306-4 |x Resolving-System |z lizenzpflichtig |3 Volltext |
| 935 | |a mteo | ||
| 951 | |a AR | ||
| ELC | |a 1 | ||
| ITA | |a 1 |t 1 | ||
| LOK | |0 000 xxxxxcx a22 zn 4500 | ||
| LOK | |0 001 4033651160 | ||
| LOK | |0 003 DE-627 | ||
| LOK | |0 004 1785592297 | ||
| LOK | |0 005 20220112043403 | ||
| LOK | |0 008 220112||||||||||||||||ger||||||| | ||
| LOK | |0 035 |a (DE-Tue135)IxTheo#2021-12-30#4E7D2AD89904CE8E2B52829E236C36C2F0B0D672 | ||
| LOK | |0 040 |a DE-Tue135 |c DE-627 |d DE-Tue135 | ||
| LOK | |0 092 |o n | ||
| LOK | |0 852 |a DE-Tue135 | ||
| LOK | |0 852 1 |9 00 | ||
| LOK | |0 935 |a ixzs |a ixrk |a zota | ||
| ORI | |a SA-MARC-ixtheoa001.raw | ||
