Metaphor and Maṇḍala in Shingon Buddhist Theology
Buddhist maṇḍala that are made of colored sand or are painted on cloth have been well represented in Asian art circles in the West. Discussions of the role that they can play in stimulating religious contemplation or even as sacred icons charged with power have also appeared in English scholarship....
| Autor principal: | |
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| Tipo de documento: | Recurso Electrónico Artigo |
| Idioma: | Inglês |
| Verificar disponibilidade: | HBZ Gateway |
| Interlibrary Loan: | Interlibrary Loan for the Fachinformationsdienste (Specialized Information Services in Germany) |
| Publicado em: |
2008
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| Em: |
Sophia
Ano: 2008, Volume: 47, Número: 1, Páginas: 43-55 |
| Outras palavras-chave: | B
Buddhism
B Kūkai B Shingon B Maṇḍala B Sokushin-jobutsugi B Jujushinron B Metaphor |
| Acesso em linha: |
Volltext (lizenzpflichtig) |
| Resumo: | Buddhist maṇḍala that are made of colored sand or are painted on cloth have been well represented in Asian art circles in the West. Discussions of the role that they can play in stimulating religious contemplation or even as sacred icons charged with power have also appeared in English scholarship. The metaphorical meaning of the term maṇḍala, however, is less commonly referenced. This paper discusses how the founder of the Japanese school of Shingon Buddhism, the Buddhist monk Kūkai of the ninth century, uses this term in a metaphorical sense to convey the transformed nature of awareness that is the ultimate goal of Buddhist practice. Emphasis is also placed on the importance of metaphorical thinking to the religious path of transformation itself. |
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| ISSN: | 1873-930X |
| Obras secundárias: | Enthalten in: Sophia
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| Persistent identifiers: | DOI: 10.1007/s11841-008-0052-9 |
