The Composition of Mark 4:1–8:26
Mark 4:1–8:26 is a compositional unit whose external boundaries are determined by its internal structure. Because neither this structure nor the unit it defines has been observed previously I shall concentrate on them, dealing with other views of Mark's composition only when they are relevant t...
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| Format: | Electronic Article |
| Language: | English |
| Check availability: | HBZ Gateway |
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
Cambridge Univ. Press
1980
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| In: |
Harvard theological review
Year: 1980, Volume: 73, Issue: 1/2, Pages: 185-217 |
| Online Access: |
Volltext (JSTOR) Volltext (lizenzpflichtig) Volltext (lizenzpflichtig) |
| Parallel Edition: | Non-electronic
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| 520 | |a Mark 4:1–8:26 is a compositional unit whose external boundaries are determined by its internal structure. Because neither this structure nor the unit it defines has been observed previously I shall concentrate on them, dealing with other views of Mark's composition only when they are relevant to my argument. My purpose is to identify the compositional structure of Mark 4:1–8:26, and to point to some of the hermeneutical implications of the structure. The method to be followed is composition-critical to the extent that it is concerned both with the segmentation of the narrative into its constituent units and with their arrangement as a key to their significance in their Markan literary context. I acknowledge that most of these units originated in pre-Markan traditions, some of which may have been accessible to Mark in the form of collections, and that Mark's dependence upon such material determines the hermeneutical problem of his narrative. This problem can be expressed either as the question of the author's investment in his material or as the question of the literary significance of the once preliterary material. Because the answer to the former question is necessarily an inference from the answer to the latter, my orientation is to the latter, namely, to the question of the relevance of the compositional structure of Mark 4:1–8:26 for understanding the compositional significance of its parts. | ||
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