Fifty Sermons on Handel's Messiah
When William Cowper introduced these verses into The Task in 1785 the gigantic Handel Commemoration of the preceding year still rang fresh in the ears of thousands of Englishmen. In 1783 several musical amateurs had proposed to commemorate the centenary of Handel's birth and the twenty-fifth an...
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| Format: | Electronic Article |
| Language: | English |
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| Published: |
Cambridge Univ. Press
1946
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| In: |
Harvard theological review
Year: 1946, Volume: 39, Issue: 4, Pages: 217-241 |
| Online Access: |
Volltext (JSTOR) Volltext (lizenzpflichtig) Volltext (lizenzpflichtig) |
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| 520 | |a When William Cowper introduced these verses into The Task in 1785 the gigantic Handel Commemoration of the preceding year still rang fresh in the ears of thousands of Englishmen. In 1783 several musical amateurs had proposed to commemorate the centenary of Handel's birth and the twenty-fifth anniversary of his death by a series of stupendous Handel performances on a hitherto unprecedented scale, and the first great Handel Festival had accordingly taken place in Westminster Abbey in the late spring of 1784, warmly patronized by George III and the greater nobility, and enthusiastically attended by more than three thousand persons from every corner of the kingdom. A vocal and instrumental band of 525 performers, “inflamed and actuated by the Muse of Handel,” made this mammoth celebration “the most splendid tribute ever paid to posthumous fame,” and current periodicals exhausted every superlative in praising the grand occasion. The European Magazine reported that “the immense volume and torrent of sound, was almost too much for the head or the sense to bear — we were elevated into a species of delirium.” The performance was in “so superior, and so exalted a stile, that it must not be subjected to the rules of pettyfogging criticism,” since “so grand and beautiful a spectacle, with at the same time a feast so rich and perfect, has not been presented to the public eye within our memory.” | ||
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