A Norman Finale of the Exultet and the Rite of Sarum
The peculiarities of the Exultet in the South-Italian Church have often been the subject of scholarly investigation. Quite recently, several new studies have been devoted to this famous and indeed very beautiful liturgical prose hymn which was sung on the Saturday of Holy Week. Among these peculiari...
| Main Author: | |
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| Format: | Electronic Article |
| Language: | English |
| Check availability: | HBZ Gateway |
| Journals Online & Print: | Drawer...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
Cambridge Univ. Press
1941
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| In: |
Harvard theological review
Year: 1941, Volume: 34, Issue: 2, Pages: 129-143 |
| Online Access: |
Volltext (JSTOR) Volltext (lizenzpflichtig) Volltext (lizenzpflichtig) |
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| 520 | |a The peculiarities of the Exultet in the South-Italian Church have often been the subject of scholarly investigation. Quite recently, several new studies have been devoted to this famous and indeed very beautiful liturgical prose hymn which was sung on the Saturday of Holy Week. Among these peculiarities, the practice, for example, of writing the hymn on a long scroll and of embellishing the text with illuminations was observed nowhere but in Southern Italy. This scroll, as is well known, was intended to fall more and more over the ambo so that, as the archdeacon sang the text, the congregation could at the same time gaze at the illustrations to the respective parts of the prayer. Word and illustration thus supported each other in a singular way. | ||
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