Theme and Variation in Psalm 111: Phrase and Foot in Generative-Metrical Perspective
This programmatic paper approaches the metre of biblical poetry as a problem in generative metrics. Recalling the earlier proposal of Kuryłowicz (1972, 1975), it is argued that the organizational principles of the Tiberian liturgical chant (syllable, foot, and, crucially, phonological phrase) are al...
| Main Author: | |
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| Format: | Electronic Article |
| Language: | English |
| Check availability: | HBZ Gateway |
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| Published: |
Oxford University Press
2009
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| In: |
Journal of Semitic studies
Year: 2009, Volume: 54, Issue: 1, Pages: 81-109 |
| Online Access: |
Volltext (lizenzpflichtig) Volltext (lizenzpflichtig) |
| Parallel Edition: | Non-electronic
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| 520 | |a This programmatic paper approaches the metre of biblical poetry as a problem in generative metrics. Recalling the earlier proposal of Kuryłowicz (1972, 1975), it is argued that the organizational principles of the Tiberian liturgical chant (syllable, foot, and, crucially, phonological phrase) are also the metrical principles of biblical poetry — or at least that of Job, Proverbs and a fair portion of the Psalms. When the musical transformations of the poetic accent system are taken into account, Psalm 111 conforms to Kuryłowicz's 2+2 phrases per verse. However, the 2+2 analysis only scratches the surface: the distribution of foot-, word- and line-types in Psalm 111 is also regulated by prosodic principles. | ||
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