Eyes and Spectacles: Wellhausen’s Method of Higher Criticism
Julius Wellhausen’s work on the Hebrew Bible, the New Testament, and early Arabic sources had and still has a fundamental impact on how modern scholarship portrays Judaism, Christianity, and Islam. In this article I consider his methodology of Higher Criticism. Wellhausen’s motto was: ‘Not only the...
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| Type de support: | Électronique Article |
| Langue: | Anglais |
| Vérifier la disponibilité: | HBZ Gateway |
| Journals Online & Print: | En cours de chargement...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Publié: |
Oxford University Press
2009
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| Dans: |
The journal of theological studies
Année: 2009, Volume: 60, Numéro: 2, Pages: 381-402 |
| Accès en ligne: |
Volltext (JSTOR) Volltext (lizenzpflichtig) Volltext (lizenzpflichtig) |
| Résumé: | Julius Wellhausen’s work on the Hebrew Bible, the New Testament, and early Arabic sources had and still has a fundamental impact on how modern scholarship portrays Judaism, Christianity, and Islam. In this article I consider his methodology of Higher Criticism. Wellhausen’s motto was: ‘Not only the spectacles are important, but also the eyes.’ Following this motto I first describe what Wellhausen saw with his eyes and how he used them. Secondly, I consider Wellhausen’s spectacles and ask how the nineteenth century determined his viewpoint. Lastly I address the legacy of Wellhausen’s Higher Criticism in current scholarship. |
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| ISSN: | 1477-4607 |
| Contient: | Enthalten in: The journal of theological studies
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| Persistent identifiers: | DOI: 10.1093/jts/flp038 |