Saturday night and Sunday morning: value monism and pluralism in contemporary evangelical musicianship
Drawing on interviews with, and ethnographic observations of, evangelical Christian musicians with experience of contemporary worship music—as well as secular heavy metal and punk rock—this article analyses the competing value relations underpinning contemporary evangelical musicianship. Developing...
Main Author: | |
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Format: | Electronic Article |
Language: | English |
Check availability: | HBZ Gateway |
Journals Online & Print: | |
Fernleihe: | Fernleihe für die Fachinformationsdienste |
Published: |
Carfax Publ.
2021
|
In: |
Journal of contemporary religion
Year: 2021, Volume: 36, Issue: 3, Pages: 483-500 |
Standardized Subjects / Keyword chains: | B
Value system
/ Musician
/ Church music
/ Popular music
/ Evangelical movement
/ Creativity
|
IxTheo Classification: | CB Christian life; spirituality KDD Protestant Church KDG Free church RD Hymnology |
Further subjects: | B
worship music
B Value B Christianity B Evangelicalism |
Online Access: |
Volltext (lizenzpflichtig) |
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520 | |a Drawing on interviews with, and ethnographic observations of, evangelical Christian musicians with experience of contemporary worship music—as well as secular heavy metal and punk rock—this article analyses the competing value relations underpinning contemporary evangelical musicianship. Developing the work of Joel Robbins on value theory and the anthropology of Christianity and the work of Klisala Harrison on ethnomusicology, this article analyses four examples of different value relations between religious service and expressive individualism: strong monism, stable monism, stable pluralism, unstable pluralism. It is shown through case studies of individual musicians that, whereas strong value monist approaches to evangelical musicianship efface the presence of the subjective self and stable monist approaches suspend its presence, stable pluralism allows both religious and secular vocations to co-exist in separate social spaces, while strong value pluralist approaches to evangelical musicianship emphasise or celebrate the presence of the subjective self and, in so doing, sometimes undermine the ritual aims of congregational worship. | ||
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STC | 0 | 0 | |a Creatividad,Creatividad,Movimiento evangelical,Música popular,Música sacra,Músico,Músico,Sistema de valores |
STD | 0 | 0 | |a Creatività,Creatività,Movimento evangelicale,Musica leggera,Musica di intrattenimento,Musica di intrattenimento,Musica sacra,Musicista,Musicista,Sistema di valori |
STE | 0 | 0 | |a 价值系统,价值体系,创造力,创意,创造性,教会音乐,基督教音乐,圣乐,消遣音乐,轻音乐,娱乐音乐,福音派运动,福音派,音乐家,乐师 |
STF | 0 | 0 | |a 價值系統,價值體系,創造力,創意,創造性,教會音樂,基督教音樂,聖樂,消遣音樂,輕音樂,娛樂音樂,福音派運動,福音派,音樂家,樂師 |
STG | 0 | 0 | |a Criatividade,Criatividade,Movimento evangelical,Música popular,Música sacra,Músico,Músico,Sistema de valores |
STH | 0 | 0 | |a Евангельское движение,Креативность (мотив),Креативность,Музыкант (мотив),Музыкант,Развлекательная музыка,Система ценностей,Церковная музыка |
STI | 0 | 0 | |a Δημιουργικότητα (μοτίβο),Δημιουργικότητα,Εκκλησιαστική μουσική,Ευαγγελικό κίνημα,Μουσικός (μοτίβο),Μουσικός,Σύστημα αξιών,Ψυχαγωγική μουσική |
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SYG | 0 | 0 | |a Wertstruktur,Werteordnung,Wertsystem,Wertesystem,Wert , Musikschaffender , Gottesdienstliche Musik,Liturgische Musik,Musica sacra , Populärmusik,U-Musik,Leichte Musik,Populäre Musik,Popularmusik,Populärmusik,U-Musik,Leichte Musik,Populäre Musik,Popularmusik , Evangelikalismus , Schöpferische Begabung,Schöpferische Leistung,Creativity |