Ein Happy End im Hohelied? Eine Untersuchung zu Hld 2,8–14; 3,1–5 und 5,2–8 und eine narrative Lesart
In this article I intend to show how female and male protagonists are portrayed in the poems of the Song of Songs narrating a plot. After giving specific reasons for choosing Cant 2:8-14; 3:1-5 and 5:2-8, textual criticism and syntactic and semantic analysis of these texts are presented. A synchroni...
| Main Author: | |
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| Format: | Electronic Article |
| Language: | German |
| Check availability: | HBZ Gateway |
| Journals Online & Print: | Drawer...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
Universität Wien, Katholisch-Theologische Fakultät, Institut für Bibelwissenschaft
2004
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| In: |
Protokolle zur Bibel
Year: 2004, Volume: 13, Issue: 1, Pages: 3-24 |
| Online Access: |
Volltext (kostenfrei) |
| Parallel Edition: | Electronic
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| 520 | |a In this article I intend to show how female and male protagonists are portrayed in the poems of the Song of Songs narrating a plot. After giving specific reasons for choosing Cant 2:8-14; 3:1-5 and 5:2-8, textual criticism and syntactic and semantic analysis of these texts are presented. A synchronic perspective is used to bring out elements of the texts which are repeated in the poems for several times and therefore can be linked. Finally I read these three poems as one story - this way discovering also problematic and disturbing parts of the Song of Songs and differentiating the conventional understanding of the biblical book as a celebration of mutual desire and fulfillment. | ||
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