Von Balthasar's Aims In His Theological Aesthetics
The volume and diversity of Balthasar's output makes it hard to grasp his theological purpose. This article considers the aims of Herrlichkeit in particular. To take the beautiful seriously is ontologically important but evangelically more urgent still. The Gospel requires sensitivity to the fo...
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Format: | Electronic Article |
Language: | English |
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Wiley-Blackwell
1999
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Heythrop journal
Year: 1999, Volume: 40, Issue: 4, Pages: 409-423 |
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520 | |a The volume and diversity of Balthasar's output makes it hard to grasp his theological purpose. This article considers the aims of Herrlichkeit in particular. To take the beautiful seriously is ontologically important but evangelically more urgent still. The Gospel requires sensitivity to the form of Jesus Christ. If the anxieties of those who fear the aesthetic will displace the ethical and even the religious can be overcome, this approach permits a wonderful integration of apologetics and dogma, fundamental and systematic theology. This primary aim of Herrlichkeit is supported by showing it is not unknown to the history of Christian thought. To gain a proper idea of its scope, however, requires exploration of pre-Christian paganism's estimate of the beauty of being, and of the human capacity to register it. then, under the impact of revelation, it is possible to locate the climax of ontological thinking about beauty in the work of Aquinas—which integrated revealed and natural sources in an account of being as glorious because given away: supremely on the Cross, in self-diffusion of the Trinitarian life. Balthasar's purpose now shifts. He will show how Western metaphysics declined from this high-point of perception—but in such a way that the glory of being took refuge in the holy folly of the saints. Finally, he aims to show how re-reading Scripture in the light of the above can generate the conviction that the message of the Bible is ultimately about the self-giving divine glory as universal foundation of history and the world. | ||
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