Where Does The God Delusion Come from?

While Richard Dawkins' polemic against religion scores easy points against Christian fundamentalisms, he supposes his target to be much vaster: “I am not attacking any particular version of God or gods. I am attacking God, all gods”. Given The God Delusion's lack of extended argument, hist...

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Bibliographic Details
Main Author: Lash, Nicholas 1934-2020 (Author)
Format: Electronic Article
Language:English
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Published: Wiley-Blackwell 2007
In: New blackfriars
Year: 2007, Volume: 88, Issue: 1017, Pages: 507-521
Further subjects:B Belief
B Dawkins
B Explanation
B Religion
B Science
B God
Online Access: Volltext (JSTOR)
Volltext (lizenzpflichtig)
Volltext (lizenzpflichtig)

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520 |a While Richard Dawkins' polemic against religion scores easy points against Christian fundamentalisms, he supposes his target to be much vaster: “I am not attacking any particular version of God or gods. I am attacking God, all gods”. Given The God Delusion's lack of extended argument, historical ignorance and unfamiliarity with the literature, the praise it has received from some distinguished scientists is troubling. This essay seeks, first, to examine some of the book's chief weaknesses – its ignorance of the grammar of “God” and of “belief in God”; the crudeness of its account of how texts are best read; its lack of interest in ethics – and, second, to address the question of what it is about the climate of the times that enables so ill-informed and badly argued a tirade to be widely welcomed by many apparently well-educated people. The latter issue is addressed, first, by considering the illusion, unique to the English-speaking world, that there is some single set of procedures which uniquely qualify as “scientific” and give privileged access to truth; second, by examining historical shifts in the senses of “religion”; thirdly, by locating Dawkins' presuppositions concerning both “science” and “religion”, his paradoxical belief in progress, and the reception which the book has received, in relation to tensions in our culture signalled, fifty years ago, by C. P. Snow. 
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