Milton’s Messiah: The Son of God in the Works of John Milton. By Russell Hillier

Now that Miltonists tend to agree that De Doctrina Christiana is a bona fide Miltonic text, critics can confidently weigh the systematic theology of that text against Milton’s poetic works, particularly Paradise Lost and Paradise Regained. In painstakingly tracking the redemptive theology of these c...

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Detalhes bibliográficos
Autor principal: Cefalu, Paul (Author)
Tipo de documento: Recurso Electrónico Review
Idioma:Inglês
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Fernleihe:Fernleihe für die Fachinformationsdienste
Publicado em: Oxford University Press 2014
Em: Literature and theology
Ano: 2014, Volume: 28, Número: 1, Páginas: 119-121
Resenha de:Milton's Messiah (Oxford : Oxford University Press, 2011) (Cefalu, Paul)
Milton's Messiah (Oxford [u.a.] : Oxford Univ. Press, 2011) (Cefalu, Paul)
Milton's Messiah (Oxford [u.a.] : Oxford Univ. Press, 2011) (Cefalu, Paul)
Outras palavras-chave:B Resenha
Acesso em linha: Volltext (JSTOR)
Volltext (lizenzpflichtig)
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Descrição
Resumo:Now that Miltonists tend to agree that De Doctrina Christiana is a bona fide Miltonic text, critics can confidently weigh the systematic theology of that text against Milton’s poetic works, particularly Paradise Lost and Paradise Regained. In painstakingly tracking the redemptive theology of these central Miltonic texts, Russell Hillier elevates the role of the Son, especially in Paradise Lost, to the pride of place that the romantic school of Milton had too perversely, it seems, reserved for Milton’s Satan. Milton’s is indeed a ‘good God’ in Hillier’s saving account, God’s authoritarian and punitive ways either counterbalanced by or at times proleptic of the Son’s multifaceted role as hypostatic God-man or theanthropos.
ISSN:1477-4623
Obras secundárias:Enthalten in: Literature and theology
Persistent identifiers:DOI: 10.1093/litthe/frt014