The Oxford Handbook of the Elegy. Edited by Karen Weisman
Critical interest in the elegy has adopted a newly urgent tone in the 21st century. Once suspected to be an outmoded and redundant genre by critics writing at the end of the previous century, elegy has resurfaced as a way into many current preoccupations within literary studies, not least the relati...
| Κύριος συγγραφέας: | |
|---|---|
| Τύπος μέσου: | Ηλεκτρονική πηγή Review |
| Γλώσσα: | Αγγλικά |
| Έλεγχος διαθεσιμότητας: | HBZ Gateway |
| Journals Online & Print: | Φόρτωση...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Έκδοση: |
Oxford University Press
2013
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| Στο/Στη: |
Literature and theology
Έτος: 2013, Τόμος: 27, Τεύχος: 1, Σελίδες: 123-126 |
| Κριτική του: | The Oxford handbook of the elegy (Oxford : Oxford University Press, 2010) (Mason, Emma)
The Oxford handbook of the elegy (Oxford [u.a.] : Oxford Univ. Press, 2010) (Mason, Emma) |
| Άλλες λέξεις-κλειδιά: | B
Κριτική
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| Διαθέσιμο Online: |
Volltext (JSTOR) Volltext (lizenzpflichtig) Volltext (lizenzpflichtig) |
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| 520 | |a Critical interest in the elegy has adopted a newly urgent tone in the 21st century. Once suspected to be an outmoded and redundant genre by critics writing at the end of the previous century, elegy has resurfaced as a way into many current preoccupations within literary studies, not least the relationship between religion and literature. A return to questions of form and prosody, coupled with a renewed interest in questions of emotion, notably grief, bereavement and mourning, signals the elegy as a way into addressing ideas otherwise difficult to articulate and explore. Elegy has thus come to mean ‘elegiac’ for many critics, a word that covers a variety of forms and discourses—inclusive of the ‘prose elegy’—in addition to its primary sense as a poem of lament or funeral song. | ||
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