Gods, Ghosts, and Shelley’s ‘Atheos’
Pointing to the persistence in the Romantic Enlightenment of even the minor pagan gods, the essay focuses on the function of the genius loci in Shelley's; ‘Mont Blanc’, both its subtle presence and its ghostly, quasi-theophanic intervention at the end of stanza 2. Shelley uses features of the ‘...
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Format: | Electronic Article |
Language: | English |
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Oxford University Press
2010
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In: |
Literature and theology
Year: 2010, Volume: 24, Issue: 1, Pages: 4-18 |
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