Art and Divine Order in the Divina Commedia
The present essay focuses on a conflict between ethics and aesthetics in the Divina Commedia, and on the way in which Dante has tried to resolve it. Although bound up with a Christian view on History, he embeds, as a self-conscious modern artist, his secular stil novo poetics of earthly love in God&...
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| Format: | Electronic Article |
| Language: | English |
| Check availability: | HBZ Gateway |
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| Published: |
Oxford University Press
2007
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| In: |
Literature and theology
Year: 2007, Volume: 21, Issue: 2, Pages: 131-145 |
| Online Access: |
Volltext (JSTOR) Volltext (lizenzpflichtig) Volltext (lizenzpflichtig) |
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| 520 | |a The present essay focuses on a conflict between ethics and aesthetics in the Divina Commedia, and on the way in which Dante has tried to resolve it. Although bound up with a Christian view on History, he embeds, as a self-conscious modern artist, his secular stil novo poetics of earthly love in God's salvation plan for humankind. This conflict requires a relatively long ‘journey’ of interpretation and reconsideration, illustrated by concrete ‘case-studies’, the most famous being that of Francesca of Rimini in Inferno V. In accordance with medieval hermeneutics, Dante makes use of a palinodic dialectic in order to reconcile profane art with divine order. | ||
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