Mary Magdalene and the Drama of Saints: Theater, Gender, and Religion in Late Medieval England. By Theresa Coletti

From the time of Pope Gregory the Great to the Reformation, the identities of the Mary Magdalene who witnessed Christ's resurrection and was delivered from seven demons, the sinful woman who anointed Jesus’ feet with her tears, and Mary the sister of Martha and Lazarus were all conflated into t...

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Bibliographic Details
Main Author: Vincent, Diane E. (Author)
Format: Electronic Review
Language:English
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Published: Oxford University Press 2006
In: Literature and theology
Year: 2006, Volume: 20, Issue: 4, Pages: 482-485
Review of:Mary Magdalene and the Drama of Saints (Philadelphia, Pa. : University of Pennsylvania Press, 2004) (Vincent, Diane E.)
Mary Magdalene and the drama of saints (Philadelphia, Pa. : University of Pennsylvania Press, 2004) (Vincent, Diane E.)
Further subjects:B Book review
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Summary:From the time of Pope Gregory the Great to the Reformation, the identities of the Mary Magdalene who witnessed Christ's resurrection and was delivered from seven demons, the sinful woman who anointed Jesus’ feet with her tears, and Mary the sister of Martha and Lazarus were all conflated into the single figure of Mary Magdalene. This unica Magdalena, whose cult thrived in the Middle Ages, has an extra-biblical life that includes an apostolic missionary journey and finally a retreat to an ascetic life in the desert marked by visionary experiences.
ISSN:1477-4623
Contains:Enthalten in: Literature and theology
Persistent identifiers:DOI: 10.1093/litthe/frl052