‘Animated Icons’: Narrative and Liturgy in The Passion of the Christ
This paper seeks to interpret the controversy surrounding Mel Gibson's film The Passion of the Christ by situating the film into debates about film narrative, Catholic liturgy and ritual, and the sacrament of the Eucharist. Although the film is based on the Gospel narratives, it is argued that...
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Format: | Electronic Article |
Language: | English |
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Oxford University Press
2005
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In: |
Literature and theology
Year: 2005, Volume: 19, Issue: 4, Pages: 384-401 |
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Presumably Free Access Volltext (JSTOR) Volltext (lizenzpflichtig) Volltext (lizenzpflichtig) |
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