Framing Questions: Cynthia Ozick's ‘Shots’
The philosophical (and stern) divide between the Hellenic and Hebraic, especially in relation to aesthetics and ethics, is what critics of Cynthia Ozick's fiction so often focus on. Yet I will argue that in her short story, ‘Shots’, Cynthia Ozick's passion for the Judaic collective memory...
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| Type de support: | Électronique Article |
| Langue: | Anglais |
| Vérifier la disponibilité: | HBZ Gateway |
| Journals Online & Print: | En cours de chargement...
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| Interlibrary Loan: | Interlibrary Loan for the Fachinformationsdienste (Specialized Information Services in Germany) |
| Publié: |
2002
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| Dans: |
Literature and theology
Année: 2002, Volume: 16, Numéro: 1, Pages: 51-64 |
| Accès en ligne: |
Volltext (JSTOR) Volltext (lizenzpflichtig) Volltext (lizenzpflichtig) |
| Résumé: | The philosophical (and stern) divide between the Hellenic and Hebraic, especially in relation to aesthetics and ethics, is what critics of Cynthia Ozick's fiction so often focus on. Yet I will argue that in her short story, ‘Shots’, Cynthia Ozick's passion for the Judaic collective memory and moral consciousness has created a character whose principal life's work, the production of visual images, rejects such a facile exiling of beauty and visual aesthetics to the realm of the pagan. For this protagonist, a photographer, see herself as a creator who is not only not a mere maker of idols, a trafficker in vanity, but is rather a seeker, a critical eye, a woman attempting to understand the world both ethically and aesthetically through the interpretation of what she finds in her viewfinder. |
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| ISSN: | 1477-4623 |
| Contient: | Enthalten in: Literature and theology
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| Persistent identifiers: | DOI: 10.1093/litthe/16.1.51 |
