WHEN RADICAL MEETS CONSERVATIVE: GODARD, DELANNOY AND THE VIRGIN MARY
Through an analysis of two filmic ‘biographies’ of the Virgin Mary by diverse members of the French cinematic canon, the intersections between film and Marian symbolism are explored. Radical and conservative approaches to the Marian image are investigated in Jean-Luc Godard's Je vous salue, Mar...
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| Format: | Electronic Article |
| Language: | English |
| Check availability: | HBZ Gateway |
| Journals Online & Print: | Drawer...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
Oxford University Press
2001
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| In: |
Literature and theology
Year: 2001, Volume: 15, Issue: 2, Pages: 174-186 |
| Online Access: |
Volltext (JSTOR) Volltext (lizenzpflichtig) Volltext (lizenzpflichtig) |
| Summary: | Through an analysis of two filmic ‘biographies’ of the Virgin Mary by diverse members of the French cinematic canon, the intersections between film and Marian symbolism are explored. Radical and conservative approaches to the Marian image are investigated in Jean-Luc Godard's Je vous salue, Marie and Jean Delannoy's Mane de Nazareth in order to examine how the Virgin Mary has come to act as a litmus test for innovation and reaction in both theology and culture |
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| ISSN: | 1477-4623 |
| Contains: | Enthalten in: Literature and theology
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| Persistent identifiers: | DOI: 10.1093/litthe/15.2.174 |