‘I HAVE SEEN THE FUTURE, BROTHER: IT IS MURDER’: APOCALYPSE NOIR IN NATURAL BORN KILLERS AND LEONARD COHEN'S ‘THE FUTURE’
This article interrogates issues of violence and apocalypse in the 1994 film Natural Born Killers by Oliver Stone and in accompanying songs by composer-singer Leonard Cohen from his 1992 album ‘The Future’. This conjunction of cinematic and musical texts prompts an intertextual investigation, with a...
| Main Author: | |
|---|---|
| Format: | Electronic Article |
| Language: | English |
| Check availability: | HBZ Gateway |
| Journals Online & Print: | Drawer...
|
| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
Oxford University Press
1998
|
| In: |
Literature and theology
Year: 1998, Volume: 12, Issue: 1, Pages: 39-49 |
| Online Access: |
Volltext (JSTOR) Volltext (lizenzpflichtig) Volltext (lizenzpflichtig) |