THE HIDDEN APOCALYPSE: T. S. ELIOT'S EARLY WORK
Moving from T. S. Eliot's early poems to his later work does not represent a shift from atheistic to religious poetry, but from one scriptural model to another. In The Waste Land there is a painful absence of vision, a desire for a hidden apocalypse, a spiritual dimension which is conspicuous b...
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| Format: | Electronic Article |
| Language: | English |
| Check availability: | HBZ Gateway |
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| Published: |
Oxford University Press
1996
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| In: |
Literature and theology
Year: 1996, Volume: 10, Issue: 1, Pages: 68-80 |
| Online Access: |
Volltext (JSTOR) Volltext (lizenzpflichtig) Volltext (lizenzpflichtig) |
| Parallel Edition: | Non-electronic
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| 520 | |a Moving from T. S. Eliot's early poems to his later work does not represent a shift from atheistic to religious poetry, but from one scriptural model to another. In The Waste Land there is a painful absence of vision, a desire for a hidden apocalypse, a spiritual dimension which is conspicuous by its absence. The language is characteristically apocalyptic, but withheld, allowed to wither in a desert of unknowing. | ||
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