Altrömische Offertoriums-Gesänge in medialen Tonarten. Zum Verhältnis des byzantinischen zum altrömischen und gregorianischen Choral

The present study should be understood as a contribution to the disputed relationship of Byzantine to Old Roman and Gregorian chant. It is based on a study of offertory chants in the relatively little-known medial modes. The author discusses four Old Roman offertories in the second medial mode in th...

Full description

Saved in:  
Bibliographic Details
Main Author: Moran, Neil (Author)
Format: Electronic Article
Language:German
Check availability: HBZ Gateway
Journals Online & Print:
Drawer...
Fernleihe:Fernleihe für die Fachinformationsdienste
Published: De Gruyter 2013
In: Byzantinische Zeitschrift
Year: 2013, Volume: 106, Issue: 1, Pages: 65-82
Online Access: Volltext (lizenzpflichtig)
Volltext (lizenzpflichtig)

MARC

LEADER 00000naa a22000002 4500
001 1780292759
003 DE-627
005 20211204042924.0
007 cr uuu---uuuuu
008 211204s2013 xx |||||o 00| ||ger c
024 7 |a 10.1515/bz-2013-0006  |2 doi 
035 |a (DE-627)1780292759 
035 |a (DE-599)KXP1780292759 
040 |a DE-627  |b ger  |c DE-627  |e rda 
041 |a ger 
084 |a 1  |2 ssgn 
100 1 |a Moran, Neil  |e VerfasserIn  |4 aut 
245 1 0 |a Altrömische Offertoriums-Gesänge in medialen Tonarten. Zum Verhältnis des byzantinischen zum altrömischen und gregorianischen Choral 
264 1 |c 2013 
336 |a Text  |b txt  |2 rdacontent 
337 |a Computermedien  |b c  |2 rdamedia 
338 |a Online-Ressource  |b cr  |2 rdacarrier 
520 |a The present study should be understood as a contribution to the disputed relationship of Byzantine to Old Roman and Gregorian chant. It is based on a study of offertory chants in the relatively little-known medial modes. The author discusses four Old Roman offertories in the second medial mode in the recently published book Inside the Offertory by Rebecca Maloy: In die sollemnitatis, Erit vobis, Confirma hoc and Oravi deum meum. Comparisons are made with chants based on Crucem tuam of the Old Roman repertory. In a previous article in Plainsong and Medieval Music the author demonstrated that the medial characteristics disappeared in the same texts in the Gregorian repertoire. In her comparisons of Old Roman and Gregorian sources Rebecca Maloy comes to a completely different conclusion. She argues that the so-called „Old Roman“ melodies are late medieval creations and she characterizes them with the negative term ‘formulaicism’. In this article her conclusions are called into question. 
601 |a Gregoriana 
773 0 8 |i Enthalten in  |t Byzantinische Zeitschrift  |d Berlin : De Gruyter, 1892  |g 106(2013), 1, Seite 65-82  |h Online-Ressource  |w (DE-627)568921224  |w (DE-600)2430676-9  |w (DE-576)303577770  |x 1868-9027  |7 nnns 
773 1 8 |g volume:106  |g year:2013  |g number:1  |g pages:65-82 
856 4 0 |u https://doi.org/10.1515/bz-2013-0006  |x Resolving-System  |z lizenzpflichtig  |3 Volltext 
856 4 0 |u https://www.degruyter.com/document/doi/10.1515/bz-2013-0006/html  |x Verlag  |z lizenzpflichtig  |3 Volltext 
935 |a mteo 
936 u w |d 106  |j 2013  |e 1  |h 65-82 
951 |a AR 
ELC |a 1 
ITA |a 1  |t 1 
LOK |0 000 xxxxxcx a22 zn 4500 
LOK |0 001 4013803836 
LOK |0 003 DE-627 
LOK |0 004 1780292759 
LOK |0 005 20211204042924 
LOK |0 008 211204||||||||||||||||ger||||||| 
LOK |0 035   |a (DE-Tue135)IxTheo#2021-11-24#BDC634D13C803ED08AB5A48850AC40673769D247 
LOK |0 040   |a DE-Tue135  |c DE-627  |d DE-Tue135 
LOK |0 092   |o n 
LOK |0 852   |a DE-Tue135 
LOK |0 852 1  |9 00 
LOK |0 935   |a ixzs  |a ixrk  |a zota 
ORI |a SA-MARC-ixtheoa001.raw