Re-Vamping the Cross: Diamanda Galas's Musical Mnemonic of Promiscuity

In this article Heidi Epstein offers a feminist theology of music arguing that music's theological significance lies not in its ability to create an illusion of stability and harmony but in its discordancy, its ability to disrupt and destabilize identity. In this regard music may become a power...

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Bibliographic Details
Main Author: Epstein, Heidi (Author)
Format: Electronic Article
Language:English
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Published: Routledge, Taylor and Francis Group 2001
In: Theology & sexuality
Year: 2001, Volume: 2001, Issue: 15, Pages: 45-65
Online Access: Volltext (lizenzpflichtig)

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