The Inquisition, Professing Jews, and Christian Images in Seventeenth-Century Modena
In seventeenth-century Italy, Christian relics and images were scattered through urban spaces, not only because the faithful were expected to acknowledge and touch them, but because their moving through city streets in processions celebrated communitas, the sense of belonging that was so much part o...
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| Format: | Electronic Article |
| Language: | English |
| Check availability: | HBZ Gateway |
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
Cambridge Univ. Press
2012
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| In: |
Church history
Year: 2012, Volume: 81, Issue: 3, Pages: 575-600 |
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Volltext (JSTOR) Volltext (lizenzpflichtig) Volltext (lizenzpflichtig) |
| Parallel Edition: | Electronic
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| 520 | |a In seventeenth-century Italy, Christian relics and images were scattered through urban spaces, not only because the faithful were expected to acknowledge and touch them, but because their moving through city streets in processions celebrated communitas, the sense of belonging that was so much part of early modern civic existence.The Inquisitorial archive in Modena holds at least twelve processi against professing Jews (who lived for the most part in the city capital or in smaller Jewish communities scattered through the duchy) for the offence of desecrating Christian images during its most active period of prosecution between 1598 and 1640. Denunciations accused Jews of removing crucifixes from walls, stoning or tampering Christian statues and religious paintings, and failing to show the necessary respect to images carried through the streets. This paper explores the frequency of the image desecration charges against Jews in early modern Italy and in particular the duchy of Modena, the pivotal impact of internal Christian processes about their own images and whether these objects did in fact have inherent or stable meanings for Jews at this time. | ||
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