Defacement: Practical Theology, Politics, or Prejudice: The Case of the North Portal of Bourges
The Cathedral of St. Étienne at Bourges, which Ribault justly styles “un chef d'oeuvre gothique” (a Gothic masterpiece), did not escape the Huguenot depredations of 1562. Especially vulnerable to the pikes and pry-bars of the Reformers were the choir screen in front of the main altar, the north...
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| Format: | Electronic Article |
| Language: | English |
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| Published: |
Cambridge Univ. Press
2003
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| In: |
Church history
Year: 2003, Volume: 72, Issue: 2, Pages: 276-303 |
| Online Access: |
Volltext (JSTOR) Volltext (lizenzpflichtig) Volltext (lizenzpflichtig) |
| Parallel Edition: | Non-electronic
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| 520 | |a The Cathedral of St. Étienne at Bourges, which Ribault justly styles “un chef d'oeuvre gothique” (a Gothic masterpiece), did not escape the Huguenot depredations of 1562. Especially vulnerable to the pikes and pry-bars of the Reformers were the choir screen in front of the main altar, the north and south doorways commemorating respectively Mary in Majesty and Christ in Majesty, and several areas of the West facade: the jamb statues (whose subjects are currently unknown), the spandrel sculptures under the dado that celebrated events of the Christian scriptures and of the book of Genesis, and the five extensively carved tympana dedicated from right to left as one faces them: | ||
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