Assembling things: Warao crafts, trade and tourists
We tend to give less attention to the process of assembling things when analysing their social life or biography. There is a preconception of things being relatively stable, fixed and inert entities. In this paper, I suggest exploring the ordinary life of things, accounting for the interweaving of t...
| Main Author: | |
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| Format: | Electronic Article |
| Language: | English |
| Check availability: | HBZ Gateway |
| Journals Online & Print: | Drawer...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
Sage Publ.
2021
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| In: |
Journal of material culture
Year: 2021, Volume: 26, Issue: 4, Pages: 365-381 |
| Further subjects: | B
Anthropocene
B Agency B natural B Assembling B worlding B Symmetry B relational ontology |
| Online Access: |
Volltext (kostenfrei) |
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| 520 | |a We tend to give less attention to the process of assembling things when analysing their social life or biography. There is a preconception of things being relatively stable, fixed and inert entities. In this paper, I suggest exploring the ordinary life of things, accounting for the interweaving of the human life with nonhuman materials. The mutual becomings of various entities, both humans and nonhumans, create assemblages that emerge from the interaction between their parts. Assembling things works to conceptualize how mutual entanglements create new possible worldings among a contemporary indigenous group in low land Latin-America. Ethnographically I trace the production process of hammocks and other types of items among the Warao of the Orinoco Delta, Venezuela, and how it entangles different ‘others’ like traders, tourists, missionaries and anthropologists and how these encounters affect the process of assembling things. Assembling things draws attention to how heterogenic component parts construe temporary but stable configurations that partake in people's worldmaking efforts. I use ethnography from the Warao and how their crafts, especially hammocks, become differently as they entangle various assemblages. I investigate three fields of assemblages in order to discern how the human/nonhuman entanglements unfold, namely household, market and museum. | ||
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