Christianity and black masculinity in James Baldwin’s Blues for Mister Charlie and August Wilson’s Joe Turner’s come and gone = Cristianismo e masculinidade em Blues for Mister Charlie, de James Baldwin e Joe Turner’s come and gone, de August Wilson
Religion works as a modeling system, that is, it rules and orients a notion of reality and how to act according to its truths and assumptions. In William Baldwin’s Blues for Mister Charlie and August Wilson’s Joe Turner’s come and gone, the main characters undergo a deep identity crisis, emphasized...
| Subtitles: | Cristianismo e masculinidade em Blues for Mister Charlie, de James Baldwin e Joe Turner’s come and gone, de August Wilson |
|---|---|
| Main Author: | |
| Format: | Electronic Article |
| Language: | English |
| Check availability: | HBZ Gateway |
| Interlibrary Loan: | Interlibrary Loan for the Fachinformationsdienste (Specialized Information Services in Germany) |
| Published: |
2013
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| In: |
Numen
Year: 2013, Volume: 16, Issue: 2, Pages: 373-388 |
| Further subjects: | B
masculinidade negra
B Black masculinity B Cristianismo B Christianity B Identity B Identidade |
| Online Access: |
Volltext (kostenfrei) |
