Piercing the Shimmering Bubble: David Shahar's The Palace of Shattered Vessels
Within the steadily growing body of fiction written by David Shahar over the past three decades, his trilogy of novels, The Palace of Shattered Vessels, stands out as his most remarkable achievement to date. It is a complex, often puzzling work, steeped in the spirit of Jerusalem, in which it is set...
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| Format: | Electronic Article |
| Language: | English |
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University of Pennsylvania Press
1985
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| In: |
AJS review
Year: 1985, Volume: 10, Issue: 2, Pages: 211-234 |
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| 520 | |a Within the steadily growing body of fiction written by David Shahar over the past three decades, his trilogy of novels, The Palace of Shattered Vessels, stands out as his most remarkable achievement to date. It is a complex, often puzzling work, steeped in the spirit of Jerusalem, in which it is set, bold in the narrative techniques it employs, and ambitious in its thematic aspirations a meandering stream of fragmented memories flowing through the mind of its unnamed narrator. As the flow continues, these fragments gradually cohere into broad arcs of interlocking narrative circles that effect a vivid evocation of Jerusalem and its inhabitants as they were in the early decades of this century. But The Palace of Shattered Vessels aims at being much more than a memorial tribute to a nearly forgotten era in a rapidly changing city. | ||
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