Resinging the Temple Psalmody
The French archaeomusicologist Suzanne Haïk-Vantoura made two important proposals that have never been fully investigated: first, that the te'amim or cantillation marks of the Hebrew scriptures did not originate with the Masoretes, but date back to temple times; second, that she had developed a...
| Main Author: | |
|---|---|
| Format: | Electronic Article |
| Language: | English |
| Check availability: | HBZ Gateway |
| Journals Online & Print: | Drawer...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
Sage
2012
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| In: |
Journal for the study of the Old Testament
Year: 2012, Volume: 36, Issue: 3, Pages: 355-378 |
| Further subjects: | B
tonus peregrinus
B Psalms B cheironomy B Music B te'amim B Cantillation B Masoretes B Haïk-Vantoura |
| Online Access: |
Volltext (lizenzpflichtig) |
| Parallel Edition: | Electronic
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| 520 | |a The French archaeomusicologist Suzanne Haïk-Vantoura made two important proposals that have never been fully investigated: first, that the te'amim or cantillation marks of the Hebrew scriptures did not originate with the Masoretes, but date back to temple times; second, that she had developed a system for their musical deciphering. This paper suggests that there is indeed evidence for the great antiquity of the Masoretic cantillation. It also suggests that the basic idea of Haïk-Vantoura's deciphering system—that the sublinear te'amim represent the steps of a diatonic scale—is confirmed by more recent archaeomusicological research. Finally, a comparison between the ancient tonus peregrinus to Psalm 114 and the cantillation of the same psalm deciphered according to Haïk-Vantoura's system provides strong evidence in support of her claims. | ||
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