Flannery O'connor's Use of Symbol, Roger Haight's Christology, and the Religious Writer
[The author argues that Flannery O'Connor's fiction and critical prose are informed by a theological understanding of symbol, a narrative Christology from below, and a consciousness of her task as a religious writer of modernity. This places her work in mutually constructive conversation w...
| Main Author: | |
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| Format: | Electronic Article |
| Language: | English |
| Check availability: | HBZ Gateway |
| Journals Online & Print: | Drawer...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
Sage Publ.
2002
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| In: |
Theological studies
Year: 2002, Volume: 63, Issue: 2, Pages: 268-301 |
| Online Access: |
Volltext (lizenzpflichtig) |
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| 520 | |a [The author argues that Flannery O'Connor's fiction and critical prose are informed by a theological understanding of symbol, a narrative Christology from below, and a consciousness of her task as a religious writer of modernity. This places her work in mutually constructive conversation with the writing of postmodern Christology, represented, for instance, by Roger Haight's Jesus Symbol of God.] | ||
| 601 | |a Haight, Roger | ||
| 601 | |a Christologie | ||
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