Flannery O'connor's Use of Symbol, Roger Haight's Christology, and the Religious Writer
[The author argues that Flannery O'Connor's fiction and critical prose are informed by a theological understanding of symbol, a narrative Christology from below, and a consciousness of her task as a religious writer of modernity. This places her work in mutually constructive conversation w...
Main Author: | |
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Format: | Electronic Article |
Language: | English |
Check availability: | HBZ Gateway |
Journals Online & Print: | |
Fernleihe: | Fernleihe für die Fachinformationsdienste |
Published: |
Sage Publ.
2002
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In: |
Theological studies
Year: 2002, Volume: 63, Issue: 2, Pages: 268-301 |
Online Access: |
Volltext (lizenzpflichtig) |
Summary: | [The author argues that Flannery O'Connor's fiction and critical prose are informed by a theological understanding of symbol, a narrative Christology from below, and a consciousness of her task as a religious writer of modernity. This places her work in mutually constructive conversation with the writing of postmodern Christology, represented, for instance, by Roger Haight's Jesus Symbol of God.] |
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ISSN: | 2169-1304 |
Contains: | Enthalten in: Theological studies
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Persistent identifiers: | DOI: 10.1177/004056390206300203 |