The geber of Lam 3 in light of two-time perspective and two literary conventions
Lam 3 ha recibido probablemente la mayor atención de los estudiosos del "Libro de las Lamentaciones". Una de las preguntas más desafiantes de este capítulo sigue siendo la figura del "geber", el protagonista principal. Hay una cacofonía de ideas e interpretaciones que se ofrecen...
| Subtitles: | El "geber" de Lam 3 a la luz de la perspectiva de dos tiempos y dos convenciones literarias |
|---|---|
| Main Author: | |
| Format: | Electronic Article |
| Language: | English |
| Check availability: | HBZ Gateway |
| Journals Online & Print: | Drawer...
|
| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
Institution
2020
|
| In: |
Cauriensia
Year: 2020, Volume: 15, Pages: 459-481 |
| IxTheo Classification: | HB Old Testament |
| Further subjects: | B
Voz
B literary conventions B Anonimato B Anonymity B Convenciones literarias B Hombre común B Perspectiva temporal B Lam 3 B Everyman B Time perspective B Voice B El "geber" B The "geber" |
| Online Access: |
Volltext (doi) Volltext (kostenfrei) |
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| 520 | |a Lam 3 ha recibido probablemente la mayor atención de los estudiosos del "Libro de las Lamentaciones". Una de las preguntas más desafiantes de este capítulo sigue siendo la figura del "geber", el protagonista principal. Hay una cacofonía de ideas e interpretaciones que se ofrecen al respecto. El presente artículo es un intento de simplificar el esfuerzo de comprender la figura del "geber" ofreciendo una nueva perspectiva temporal y leyéndola a través de las lentes de dos convenciones: la voz y el anonimato. Parecen ser suficientes para determinar el papel del "geber" en el poema y la posible estrategia retórica que el autor empleó. El documento también dará una visión de los aspectos más cruciales del debate académico relevante para el estudio. | ||
| 520 | |a Lam 3 has probably received the most attention from scholars studying the "Book of Lamentations". One of the most challenging questions concerning this chapter is still the figure of the "geber" - the main protagonist. There is a cacophony of ideas and interpretations offered in this regard. The current paper is an attempt to simplify the effort of comprehending the figure of the "geber" offering a new time perspective and reading it through the lenses of two conventions: voice and anonymity. They seem to be sufficient for determining the role of the "geber" in the poem and possible rhetorical strategy the autor employed here. The paper will also give a survey of the most crucial aspects of the scholarly debate relevant for the study. | ||
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